Shakespeare And ComedyComedy was at the centre of a critical storm that raged throughout the early modern period. Shakespeare's plays made capital of this controversy. In them he deliberately invokes the case against comedy made by the Elizabethan theatre haters. They are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay and aggressive acts of comic revenge. In a detailed study of seventeen plays, tragedies and histories as well as comedies, Maslen contends that Shakespeare's use of the comic mode is always calculatedly unsettling, and that this is part of what makes it pleasurable. |
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Chapter | 38 |
Chapter | 83 |
Chapter Three | 125 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Angelo Antipholus Antonio audience authority Bassanio become beginning Benedick body bring brother calls Christian claim classes Claudio comedy comic conversation court courtiers death delight describes desire disguise drama Duke early modern effect Elizabethan England English fact final finds George Puttenham gives Gosson hand heart Hercules Hero imagine Italy jests John joke Juliet kind language later laughter light lines living London Lost lovers male marriage master means Measure merry mind nature never night once Orlando performance play Portia Prince response rhetorical role Romeo ruling says scene seems sense servant sexual Shakespeare's share Shylock social speak speech stage suggests tells theatre things thou tragedy true turns verbal violence woman women York young