Julius CaesarGlobe school book Company, 1901 - 158 Seiten |
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Seite viii
... concerning " old Robin Hood of England " and his life with his merry men " under the greenwood tree " ; he delighted in the May - day games , the Whitsun sports , and the festival of the sheep - shearing , the shepherd's harvest - home ...
... concerning " old Robin Hood of England " and his life with his merry men " under the greenwood tree " ; he delighted in the May - day games , the Whitsun sports , and the festival of the sheep - shearing , the shepherd's harvest - home ...
Seite xxv
... Concerning the Ghost the Folio is very specific : " Enter the Ghost of Cæsar . " Act V was played entirely upon the front stage , in the open air . Professor Brandl believes that the three separate divisions of the Elizabethan stage ...
... Concerning the Ghost the Folio is very specific : " Enter the Ghost of Cæsar . " Act V was played entirely upon the front stage , in the open air . Professor Brandl believes that the three separate divisions of the Elizabethan stage ...
Seite xxxi
... Concerning the style of Cymbeline , The Tempest , and The Winter's Tale , probably the last three complete plays that Shakespeare wrote , - Hudson says in substance : these plays abound in " overcrammed and elliptical passages which ...
... Concerning the style of Cymbeline , The Tempest , and The Winter's Tale , probably the last three complete plays that Shakespeare wrote , - Hudson says in substance : these plays abound in " overcrammed and elliptical passages which ...
Seite xxxiv
... concerning the indebtedness of Shakespeare to his source in the composition of this play : " The component parts of our drama are borrowed from the biographies of Brutus and Cæsar in such a manner that not only the historical action in ...
... concerning the indebtedness of Shakespeare to his source in the composition of this play : " The component parts of our drama are borrowed from the biographies of Brutus and Cæsar in such a manner that not only the historical action in ...
Seite xxxvi
... concerning the important motives which govern their action ; indeed the full measure of his poetic greatness is evident just in this , that he understands , as no other poet does , how to express the mental processes of his chief ...
... concerning the important motives which govern their action ; indeed the full measure of his poetic greatness is evident just in this , that he understands , as no other poet does , how to express the mental processes of his chief ...
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Häufige Begriffe und Wortgruppen
adjective Artemidorus back stage battle bear blood Brutus and Cassius Brutus's Cade Caes Caesar Caius called Calpurnia Capitol Casca Cassius Cato character Cicero Cimber Cinna common conspiracy conspirators danger Decius Brutus doth drama Elizabethan enemies English Enter Exeunt Exit fear feast of Lupercal fire Folio Fourth Cit friends funeral give gods hand hath hear heart honour humour ides of March incident Julius Cæsar Lepidus Ligarius look lord Lucilius Lucius Marcus Marcus Brutus Mark Antony market-place meaning Messala Metellus mind night noble Octavius Philippi Pindarus play Plutarch poet Pompey Pompey's Portia present Roman Rome scene seems Senate Shake Shakespeare slain Soothsayer speak speech Strato sword syllable tell theater thee thing Third Cit thou art thought Titinius to-day transferred epithet Trebonius unto verb verse Volumnius William Shakespeare word
Beliebte Passagen
Seite 49 - Romans, countrymen, and lovers, hear me for my cause, and be silent, that you may hear. Believe me for mine honour, and have respect to mine honour, that you may believe. Censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Seite 49 - Who is here so base, that would be a bondman? If any, speak; for him have I offended. Who is here so rude , that would not be a Roman? If any, speak; for him have I offended.
Seite 63 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now Contaminate our fingers with base bribes, And sell the mighty space of our large honours For so much trash as may be grasped thus? I had rather be a dog, and bay the moon, Than such a Roman.
Seite 10 - Why should that name be sounded more than yours ? Write them together, yours is as fair a name; Sound them, it doth become the mouth as well; Weigh them, it is as heavy; conjure with 'em, "Brutus" will start a spirit as soon as "Caesar.
Seite 64 - You have done that you should be sorry for. There is no terror, Cassius, in your threats; For I am arm'd so strong in honesty, That they pass by me as the idle wind Which I respect not.
Seite 55 - I come not, friends, to steal away your hearts. I am no orator, as Brutus is, But, as you know me all, a plain blunt man That love my friend, and that they know full well That gave me public leave to speak of him. For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech To stir men's blood.
Seite xlvi - Thou hast most traitorously corrupted the youth of the realm in erecting a grammar school; and whereas, before, our forefathers had no other books but the score and the tall}1, thou hast caused printing to be used, and, contrary to the king, his crown and dignity, thou hast built a paper-mill.
Seite 9 - If Caesar carelessly but nod on him. He had a fever when he was in Spain, And when the fit was on him, I did mark How he did shake...
Seite 55 - And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts : I am no orator, as Brutus is ; But, as you know me all, a plain blunt man, That love my friend ; and that they know full well That gave me public leave to speak of him : For I have neither wit...
Seite 64 - By heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash, By any indirection.