Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 6Gale Research Company, 1984 |
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Seite 123
... Actium , till Antony has really lost touch ( the whole of the fourth act is not war ) , lost his grip on events , and become ' fey ' . Enobarbus fully recognizes the symptoms of the infatuated , fascinated , doomed figure of tragedy and ...
... Actium , till Antony has really lost touch ( the whole of the fourth act is not war ) , lost his grip on events , and become ' fey ' . Enobarbus fully recognizes the symptoms of the infatuated , fascinated , doomed figure of tragedy and ...
Seite 138
... Actium . We continue to see this greater charitableness on the part of Shakespeare when he shows Antony and Cleopatra reunited and moving toward the battle . In the period of preparation for the battle there is no devious action by ...
... Actium . We continue to see this greater charitableness on the part of Shakespeare when he shows Antony and Cleopatra reunited and moving toward the battle . In the period of preparation for the battle there is no devious action by ...
Seite 157
... Actium : it is to please her and against all reason that Antony accepts Caesar's dare to fight at sea . A Soldier warns him against it , but the Soldier's " sword " and " wounds " [ III . vii . 63 ] cannot persuade Antony above the ...
... Actium : it is to please her and against all reason that Antony accepts Caesar's dare to fight at sea . A Soldier warns him against it , but the Soldier's " sword " and " wounds " [ III . vii . 63 ] cannot persuade Antony above the ...
Inhalt
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York