Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 6Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 73
Seite 304
... Richard II with Richard III in terms of its effectiveness as a tragedy . The earliest critics of this play were much concerned with the question of its genre - whether it is correctly called a history or a tragedy , and whether , if the ...
... Richard II with Richard III in terms of its effectiveness as a tragedy . The earliest critics of this play were much concerned with the question of its genre - whether it is correctly called a history or a tragedy , and whether , if the ...
Seite 422
... Richard II's dominant theme . Bradbrook also explores Shake- speare's development in this history of sophisticated expository techniques , in - depth characterizations ... Richard II . " In 422 RICHARD II SHAKESPEAREAN CRITICISM , Vol . 6.
... Richard II's dominant theme . Bradbrook also explores Shake- speare's development in this history of sophisticated expository techniques , in - depth characterizations ... Richard II . " In 422 RICHARD II SHAKESPEAREAN CRITICISM , Vol . 6.
Seite 426
... Richard . Phialas , Peter G. " The Medieval in Richard II . ” Shakespeare Quar- terly XII , No. 3 ( Summer 1961 ) : 305-10 . Rebuts E.M.W. Tillyard's theory that Richard II is Shakespeare's nostalgic recreation of the Middle Ages , with ...
... Richard . Phialas , Peter G. " The Medieval in Richard II . ” Shakespeare Quar- terly XII , No. 3 ( Summer 1961 ) : 305-10 . Rebuts E.M.W. Tillyard's theory that Richard II is Shakespeare's nostalgic recreation of the Middle Ages , with ...
Inhalt
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Urheberrecht | |
2 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York