Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 6Gale Research Company, 1984 |
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Seite 86
... emotion but one strand twisted in a more complex pattern . . . . In despising all normal emotional and sensuous associations , working outside the organ cadences of ordinary tragedy , this poetry yet catches the most evanescent tragic ...
... emotion but one strand twisted in a more complex pattern . . . . In despising all normal emotional and sensuous associations , working outside the organ cadences of ordinary tragedy , this poetry yet catches the most evanescent tragic ...
Seite 122
... emotion and to contemplate it . It is the effect — a check to , and an escape from , the tragic emotion in its purity - which Eliot notes as fairly common in the moments of high tragic tension , even in Shakespeare's acknowledged tragic ...
... emotion and to contemplate it . It is the effect — a check to , and an escape from , the tragic emotion in its purity - which Eliot notes as fairly common in the moments of high tragic tension , even in Shakespeare's acknowledged tragic ...
Seite 192
... emotion - charged ecstasies in such poems as ' The Canonization ' , in Cleopatra's speech , the light , buoyant rhythms and the Donne - like puns help to create a difference between the character's emotional state and the tone of the ...
... emotion - charged ecstasies in such poems as ' The Canonization ' , in Cleopatra's speech , the light , buoyant rhythms and the Donne - like puns help to create a difference between the character's emotional state and the tone of the ...
Inhalt
Preface | 7 |
Richard II | 241 |
The Two Gentlemen of Verona | 429 |
Urheberrecht | |
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action Actium Antony and Cleo Antony and Cleopatra Antony's argues asserts audience Aumerle battle of Actium becomes Bishop of Carlisle Bolingbroke Caesar character Charmian critic crown death deposed divine Dolabella dramatic earth Egypt Egyptian elements Elizabethan emotion Enobarbus Eros essay date excerpt feeling final Flint Castle Gaunt give grief hath heart heaven Henry Henry IV hero heroic honor human imagery imagination judgment Julius Caesar king King Lear king's kingship language Lear Lepidus lord lovers Macbeth means moral Mowbray nature noble Octavius Othello paradox passion patra play play's Plutarch poet poetic poetry political Pompey present protagonists queen reality rhetoric Richard Richard II Roman Rome Romeo and Juliet royal says scene seems sense Shake Shakespeare speaks speare speare's speech suggests thee theme things thou thought throne tragedy tragic triumph true usurper vision woman words York