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the priests, conjurers, and magicians; and the priests are supposed to have had secrets, which passed for supernatural, such as the use of gunpowder, &c. He meets with many difficulties likewise from his own people, which interrupt his designs; particularly from one of his kinsmen, who is fierce, young, and ambitious. He is earnest for conquering all by force, and treating the people who submitted to him as slaves.

But Brutus gives it as his opinion, not to conquer and destroy the natives of the new-discovered land, but to polish and refine them, by introducing true religion, void of superstition and all false notions of the Deity, which only leads to vice and misery, among people who are uncorrupted in their manners, and only want the introduction of useful arts, under the sanction of a good government, to establish and ensure their felicity.

This turbulent kinsman likewise endangers a revolt, by taking away a woman betrothed to a Briton.

Some of Brutus's followers take part with him, and raise a faction, which, by his wisdom and firmness, he suppresses, and brings the discontented back to their duty; who at length unite with him against the giants, their common enemy. It must not be omitted, that the kinsman is represented as repenting of his secession, and much ashamed that Brutus, having left him a victim to female blandishments, went to the war without him.

Brutus, in the end, succeeded in his enterprise against the giants, and enchantment vanished before

him; having reduced the fortresses of superstition, anarchy, and tyranny, the whole island submits to good government, and with this the Poem was intended to close.

Such was the outline of this Poem, which, if he had finished, it would not, perhaps, have added much to his reputation.

He had likewise planned two Odes, or Moral Poems, on the Mischiefs of Arbitrary Power, and the Folly of Ambition. The first was to open with a view and description of Mount Etna or Vesuvius, after a long intermission from eruptions; in which was given a picture of all rural felicity, in the most enchanting scenes of vine-yards and olive-yards in one place; the products of Ceres in another; and flowery pastures, overspread with flocks and herds, in a third; while the shepherds were indulging themselves in their rural dances, songs, and music; and the husbandmen in feats of activity. In the heat of these amusements, is heard the rumbling in the bowels of the mountain, the day is overcast, and after other dreadful symptoms of approaching desolation, a torrent of liquid fire breaks out from the mouth, and running down the declevity, carries away every thing in its passage; and as Milton says

"All the flourishing works of Peace destroys."

That on the Folly of Ambition and a Name, was to open with the view of a large champaign desert country; in the midst of which was a large heap of shapeless and deformed ruins, under the shadow of which was seen a shepherd's shed, who at his door

was tending a few sheep and goats. The ruins attract the eye of a traveller passing by, who, curious to be informed of what he saw, addresses himself to the shepherd, to know to what superb structures these ruins belonged. The shepherd entertains him with an absurd and fabulous account of ancient times, in which there were such traces of true history, that the traveller at length discovers, by the aid of the fabulous narrator, joined to certain marks in the ruins themselves, that this was the famous Blenheim, built, at the public expense, by a warlike nation, for the Deliverer of Europe, &c.

PREFACE

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HOMER'S ILIA D.

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