Manual of the Fine Arts, Critical and Historical: With an Introduction by D. Huntington, M.A.A. S. Barnes & Company, 1879 - 476 Seiten |
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Seite 37
... piece of charcoal drew the statue as exactly as if it had been before him . The rest of the company were surprised , and Agostino , silenced , confessed that his brother had taken a more effectual way than himself to demonstrate the ...
... piece of charcoal drew the statue as exactly as if it had been before him . The rest of the company were surprised , and Agostino , silenced , confessed that his brother had taken a more effectual way than himself to demonstrate the ...
Seite 56
... piece of unnecessary display in one whose name was deeply impressed on the hearts of the people by whom he was sur- rounded . Very little is known respecting the life of this celebrated painter . He was not only successful in securing ...
... piece of unnecessary display in one whose name was deeply impressed on the hearts of the people by whom he was sur- rounded . Very little is known respecting the life of this celebrated painter . He was not only successful in securing ...
Seite 57
... pieces , which were intended to adorn the temple of Juno , for which he was to receive a large and stipulated sum . On ... piece was executed to fulfil a vow made by them to the goddess . The most cele- brated of the pictures of Zeuxis ...
... pieces , which were intended to adorn the temple of Juno , for which he was to receive a large and stipulated sum . On ... piece was executed to fulfil a vow made by them to the goddess . The most cele- brated of the pictures of Zeuxis ...
Seite 60
... piece by a forbearance of judgment , often erroneously regarded as a confession of the inadequacy of his art , covered the head of the father with his mantle , and left his agony to the imagination of the spectator . In Fuseli's Lecture ...
... piece by a forbearance of judgment , often erroneously regarded as a confession of the inadequacy of his art , covered the head of the father with his mantle , and left his agony to the imagination of the spectator . In Fuseli's Lecture ...
Seite 61
... piece was painted in contest with Colotes of Teos , a painter and sculptor from the school of Phidias , and it was crowned with victory at the rival exhibition . On another occasion , having painted a sleeping Cyclops in an exceedingly ...
... piece was painted in contest with Colotes of Teos , a painter and sculptor from the school of Phidias , and it was crowned with victory at the rival exhibition . On another occasion , having painted a sleeping Cyclops in an exceedingly ...
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Häufige Begriffe und Wortgruppen
Academy admiration alto-relievo ancient antique Apollodorus appears Architect architecture artist beauty born called celebrated century character chiaroscuro church Cimabue colossal colour columns composed composition copy Dædalus delight Doric order drapery drawing effect Egyptian elegance eminent England Engraver Etruscan excellence executed exhibited expression father feeling feet figures finished genius Giorgione give grace grandeur Grecian Greece Greeks hand harmony head historical honour imagination imitation invention Ital Italian Italy king labour landscape light Lysippus manner marble masters merit Michael Angelo mind nature never objects opera original ornament Painter painting palace Paul Veronese pencil perfect Phidias picture poet poetry portrait practised Praxiteles principles produced Pythagoras Raphael Rembrandt represented Reynolds Roman Rome says scene sculpture seems Sicyon sketches soul spirit statues style sublime talents taste temple Terpander thing Timanthes Tintoretto tion Titian touch truth Venetian school West whole
Beliebte Passagen
Seite 449 - Thou'dst meet the bear i' the mouth. When the mind's free The body's delicate; the tempest in my mind Doth from my senses take all feeling else Save what beats there.
Seite 19 - A primrose by the river's brim A yellow primrose is to him, And it is nothing more...
Seite 265 - And it came to pass, as they were burying a man, that, behold, they spied a band of men ; and they cast the man into the sepulchre of Elisha : and when the man was let down, and touched the bones of Elisha. he revived, and stood up on his feet.
Seite 15 - Delightful Scenes, whether in Nature, Painting, or Poetry, have a kindly Influence on the Body, as well as the Mind, and not only serve to clear and brighten the Imagination, but are able to disperse Grief and Melancholy, and to set the Animal Spirits in pleasing and agreeable Motions.
Seite 18 - own exceeding great reward;' it has soothed my afflictions; it has multiplied and refined my enjoyments ; it has endeared solitude ; and it has given me the habit of wishing to discover the good and the beautiful in all that meets and surrounds me.
Seite 449 - But I will punish home: No, I will weep no more. In such a night To shut me out! Pour on; I will endure. In such a night as this! O Regan, Goneril! Your old kind father, whose frank heart gave all O, that way madness lies; let me shun that; No more of that.
Seite 440 - full of noises, Sounds, and sweet airs, that give delight, and hurt not.
Seite 146 - I have endeavoured to treat my subjects as a dramatic writer ; my picture is my stage, my men and women my players, who, by means of certain actions and gestures, are to exhibit a dumb show.
Seite 455 - The chorus in which that opera abounds gives the parterre frequent opportunities of joining in concert with the stage. This inclination of the audience to sing along with the actors, so prevails with them, that I have sometimes known the performer on the stage do no more in a celebrated song, than the clerk of a parish church, who serves only to raise the psalm, and is afterwards drowned in the music of the congregation.
Seite 155 - I proceeded to copy some of those excellent works. I viewed them again and again ; I even affected to feel their merit and admire them more than I really did.