The Works of Shakespeare, Band 11Macmillan Company, 1904 |
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Seite xii
... THE LATER TRAGEDIES • 252 CHAPTER XV THE ETHICAL SIGNIFICANCE OF THE TRAGEDIES • 276 CHAPTER XVI THE ROMANCES 292 CHAPTER XVII THE LAST YEARS AT STRATFORD • 314 INTRODUCTION TO FOURTH EDITION THE appearance of this biography of xii ...
... THE LATER TRAGEDIES • 252 CHAPTER XV THE ETHICAL SIGNIFICANCE OF THE TRAGEDIES • 276 CHAPTER XVI THE ROMANCES 292 CHAPTER XVII THE LAST YEARS AT STRATFORD • 314 INTRODUCTION TO FOURTH EDITION THE appearance of this biography of xii ...
Seite xiii
William Shakespeare Charles Harold Herford. INTRODUCTION TO FOURTH EDITION THE appearance of this biography of Shakespeare in a fourth edition within two years of the date of its publication may be interpreted , without assump- tion on ...
William Shakespeare Charles Harold Herford. INTRODUCTION TO FOURTH EDITION THE appearance of this biography of Shakespeare in a fourth edition within two years of the date of its publication may be interpreted , without assump- tion on ...
Seite 6
... appearance of the celebrant priest at the altar and the confession of sins , to the Kyrie Eleison , and from this to the grand doxology , after which the priest turns with the Dominus vobiscum to the congregation , calling upon it to ...
... appearance of the celebrant priest at the altar and the confession of sins , to the Kyrie Eleison , and from this to the grand doxology , after which the priest turns with the Dominus vobiscum to the congregation , calling upon it to ...
Seite 10
... appearing in appropriate attire ; the devil played a great and effective part , furnishing endless amusement by his buffoonery , but always going in the end to his own place . Pilate and Herod divided popular attention by their semi ...
... appearing in appropriate attire ; the devil played a great and effective part , furnishing endless amusement by his buffoonery , but always going in the end to his own place . Pilate and Herod divided popular attention by their semi ...
Seite 13
... appeared those very tenuous and shadowy abstractions , the World , the Flesh , the Devil , not as actors in the world's tragedy , but as personifications of the prin- ciple of evil ; with Genus Humanum , Pleasure , Slan- der ...
... appeared those very tenuous and shadowy abstractions , the World , the Flesh , the Devil , not as actors in the world's tragedy , but as personifications of the prin- ciple of evil ; with Genus Humanum , Pleasure , Slan- der ...
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