The Works of Shakespeare, Band 11Macmillan Company, 1904 |
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Seite 14
... play of every kind . The parts were entirely in the hands of men ; no women appeared on the stage until after the time of Shakespeare ; the female characters were taken by boys . The transition from the Moralities to the fully de ...
... play of every kind . The parts were entirely in the hands of men ; no women appeared on the stage until after the time of Shakespeare ; the female characters were taken by boys . The transition from the Moralities to the fully de ...
Seite 15
... play ; shorter , more vivacious , and much closer to the life of the time . It was often rude , but it was oftener racy , direct , and effective in ex- pression ; using the familiar colloquial speech of the day with great effectiveness ...
... play ; shorter , more vivacious , and much closer to the life of the time . It was often rude , but it was oftener racy , direct , and effective in ex- pression ; using the familiar colloquial speech of the day with great effectiveness ...
Seite 18
... play is more gen- erally known , " Gorbordoc , " was the earliest English tragedy , and is chiefly interesting as showing how the influence of Seneca and the sturdy vigour of the English genius worked together in a kind of rude harmony ...
... play is more gen- erally known , " Gorbordoc , " was the earliest English tragedy , and is chiefly interesting as showing how the influence of Seneca and the sturdy vigour of the English genius worked together in a kind of rude harmony ...
Seite 20
... sixteenth century . One more step in this vital expression of the Eng- lish spirit was taken by Shakespeare's immediate pred- ecessors and by some of his older contemporaries . Such a play as " Arden of Feversham , " 20 William Shakespeare.
... sixteenth century . One more step in this vital expression of the Eng- lish spirit was taken by Shakespeare's immediate pred- ecessors and by some of his older contemporaries . Such a play as " Arden of Feversham , " 20 William Shakespeare.
Seite 21
... play - writing in the hands of a group of men of immense force of imagination and of singularly varied gifts of expression . During the decade in which he was serving his apprenticeship to his art England lost Peele , Kyd , Greene , and ...
... play - writing in the hands of a group of men of immense force of imagination and of singularly varied gifts of expression . During the decade in which he was serving his apprenticeship to his art England lost Peele , Kyd , Greene , and ...
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action actors appeared artistic beauty Ben Jonson brought CALIFORN century character charm chronicle plays church classical comedy contemporaries creative deep drama dramatist earlier England English experience expression fact Falstaff feeling force fortunes freedom friends genius Globe Theatre Hamlet hand harmony Henry human humour imagination influence insight instinct interest Italian John Shakespeare Jonson Julius Cæsar kind King later literary literature lived London Love's Labour's Lost lyrical Macbeth manner Marlowe material mind mood moral nature ness noble passion period play players playwright plot poem poet poet's poetic poetry popular presented probably Puritan Queen Rape of Lucrece romance Romeo and Juliet Shake significance Sonnets speare speare's speech spirit stage story Stratford taste temper theatre thought tion Titus Andronicus touch tradition tragedy tragic Venus and Adonis verse vital Warwickshire writing written young youth