 His handling, the manner of leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never learned from others the usual and regular practice belonging to the...  The Discourses - Seite 244von Sir Joshua Reynolds - 1887 - 283 SeitenVollansicht - Über dieses Buch
 | sir Joshua Reynolds - 1801 - 450 Seiten
...leaving the colour st or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | Sir Joshua Reynolds, Edmond Malone - 1801 - 452 Seiten
...leaving the colours, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...regular practice belonging to the art; but still, t/like a man of strong intuitive perception of what was required, he found out a way of his own to... | |
 | Sir Joshua Reynolds - 1809 - 442 Seiten
...leaving the colours, or in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...the usual and regular practice belonging to the art; bijt still, like a man of strong intuitive perception of what was required, he found out a way of his... | |
 | Sir Joshua Reynolds - 1819 - 446 Seiten
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | sir Joshua Reynolds - 1819 - 440 Seiten
...leaving the colours,. or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...found out a way of his own to accomplish his purpose. x It is no disgrace to the genius of Gainsborough, to compare him to such men as we sometimes meet... | |
 | Sir Joshua Reynolds - 1824 - 324 Seiten
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...of Gainsborough, to compare him to such men as we sometiiae* meet with, whose natural eloquence appears even is speaking a language which they can scarce... | |
 | Sir Joshua Reynolds - 1835 - 514 Seiten
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | sir Joshua Reynolds - 1835 - 536 Seiten
...leaving tlie colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | Sir Joshua Reynolds - 1824 - 318 Seiten
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand... | |
 | Sir Joshua Reynolds - 1846 - 506 Seiten
...leaving the colours, or, in other words, the methods he used for producing the effect, had very much the appearance of the work of an artist who had never...compare him to such men as we sometimes meet with, whose natural eloquence appears even in speaking a language which they can scarce be said to understand;... | |
| |
