Drama, Metadrama and Perception

acting action actor actually Aeschylus appears audience background become called Captain caused century ceremony chapter characters comes complex contrast course critics culture defined depicted device drama dream effect elements example existence experience fact father feel final framed given happened human Ibsen identity illusion important individual inner interesting intuitive kind King later literary literature live look major means metadramatic murder nature never noted objects occurs Oedipus onlv original outer parody perception performance period person playwright plot possible present production provides question real-life realistic reality reason recognize reference reflect result Richard ritual role playing Rosalind scene seems seen self-reference sense Shakespeare's simply society speech stage story tells theatre theatrical thev things thinking thought traditional tragedy true turn University whole Wovzeck writing written York