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" ... in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing! Are we a piece of machinery, which, like the ./Eolian harp, passive, takes the impression of... "
The works of Robert Burns; with an account of his life, and a criticism on ... - Seite 149
von Robert Burns - 1806
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The Monthly Visitor, and Entertaining Pocket Companion, Band 12

1801 - 452 Seiten
...autumnal morning, without feeling an elevation of soul like, the enthusiasm of devotion, or poetry. Tell me, my dear friend, to what can this be owing? Are...like the Eolian harp, passive takes the impression ot the passing accident ? Or do these workings arfie something within us above the trodden clod ? own...
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The Edinburgh Review: Or Critical Journal, Band 13

1809 - 530 Seiten
...autumnal morning, without feeling an elevation of soul like the endiusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are...takes the impression of the passing accident ? Or do diese workings argue something widiin us above the trodden clod ? ' II. p. 195 — 197. To this we...
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The Edinburgh Review: Or Critical Journal, Band 48

1828 - 722 Seiten
...autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the . lv>li;m harp, passive, takes the impression of the passing accident ? or do these workings argue...
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Censura Literaria: Containing Titles, Abstracts, and Opinions of ..., Bände 1-2

Sir Egerton Brydges - 1805 - 908 Seiten
...poetry. Tell me, my dear friend, to what can this be owing? Arc we a piece of machinery, which, like an Eolian harp, passive, takes the impression of the...proofs of those awful and important realities — a God thdt made all things — man's immaterial and immortal nature — and a world of weal and woe beyond...
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The Prosaic Garland: Consisting of Upwards of Two-hundred Pieces Selected ...

John Evans - 1807 - 318 Seiten
...vation of sool like the enthusiasm of devotion, or poetry. Tell me, my dear friend, to wlmt can this he owing ? Are we a piece of machinery, which, like the Eolian harp, passive takes the impression ot" the passing accident ? Or <io these workings argue something within us above the trodden ciod ?...
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Select Reviews, and Spirit of the Foreign Magazines, Band 2

Enos Bronson - 1809 - 458 Seiten
...autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are...workings argue something within us above the trodden clod ?" II. p. 195—197. To this we may add the following passage, us a part, indeed, of the same picture"...
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The Edinburgh Review, Band 13

1809 - 530 Seiten
...autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing ? Are...argue' • something within us above the trodden clod ? * II. p. 195—197. To this we may add the following passage, as a part, indeed, of the same picture....
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Select Reviews, Bände 1-2

1809 - 914 Seiten
...me, my dear friend, to what can this be owing Ï Are we a piece of machinery, which, like the Kolian harp, passive, takes the impression of the passing...workings argue something within us above the trodden clod !" II. p.. 195—197. To this we may add the following passage, as a part, indeed, of the same picture"...
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The British Prose Writers...

1819 - 364 Seiten
...autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the Eoliau harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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Letters, Bände 1-2

Robert Burns - 1819 - 388 Seiten
...autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the Eoliau harp, passive, takes the impression of the passing accident ? Or do these workings argue something...
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