Interpretations of Literature, Band 2Dodd, Mead, 1915 Lectures to his students while he "held the chair of English literature in the University of Tokyo from 1896 to 1902"--Confer Introduction. |
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Seite 7
... changed his manuscript , if we are to be- lieve the actors who played with him ; and yet , thus flung down upon paper , his thoughts now fill the world . I have compared the mnemonic faculty of Shakespeare with that of Napoleon ; but ...
... changed his manuscript , if we are to be- lieve the actors who played with him ; and yet , thus flung down upon paper , his thoughts now fill the world . I have compared the mnemonic faculty of Shakespeare with that of Napoleon ; but ...
Seite 26
... changed by all the changes of time . Therefore their plays and their books become neglected and forgotten . Therefore we do not act the plays of Ben Jonson , or of Fletcher , or of Ford , or of other sixteenth century dramatists ; their ...
... changed by all the changes of time . Therefore their plays and their books become neglected and forgotten . Therefore we do not act the plays of Ben Jonson , or of Fletcher , or of Ford , or of other sixteenth century dramatists ; their ...
Seite 65
... changed in meaning , you can generally know very well from the context what is meant . For instance , " relentment , " which now has no such meaning , is used in the sense of disso- lution , and " conclude , " of which the meaning is ...
... changed in meaning , you can generally know very well from the context what is meant . For instance , " relentment , " which now has no such meaning , is used in the sense of disso- lution , and " conclude , " of which the meaning is ...
Seite 69
... changed the methods of treatment . The suc- cess of writers of to - day like Maeterlinck is chiefly explained by their skill in the treatment of the ghostly , and of sub- jects related to supernatural fear . But without citing other ...
... changed the methods of treatment . The suc- cess of writers of to - day like Maeterlinck is chiefly explained by their skill in the treatment of the ghostly , and of sub- jects related to supernatural fear . But without citing other ...
Seite 90
... changed the methods of treatment . The suc- cess of writers of to - day like Maeterlinck is chiefly explained by their skill in the treatment of the ghostly , and of sub- jects related to supernatural fear . But without citing other ...
... changed the methods of treatment . The suc- cess of writers of to - day like Maeterlinck is chiefly explained by their skill in the treatment of the ghostly , and of sub- jects related to supernatural fear . But without citing other ...
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Häufige Begriffe und Wortgruppen
able ancient Arachne artistic ballads beautiful Belisarius Berkeley Bible bird called century character charm classic composition cuckoo death dream emotion English literature English poetry English poets example eyes Eyjolf fact feeling flowers French Garden of Cyrus ghostly girl give Greek Haunted Palace Havamal heart heaven Herrick human idea imagine insects Itylus Japanese Japanese literature kind language Latin lines lish literary live Longfellow look means mind modern moon moral nature never night nightingale Norse old Norse perhaps Philomela plays poem poetry Procne prose quote race remember Sandalphon scarcely scholars Shakespeare sing Sir Thomas Browne skylark song soul sound speak spirit stanza stars story strange student style sweet tell Tereus terrible thee things thou thought tion to-day translation tree verse western wings word Wordsworth writers written young
Beliebte Passagen
Seite 318 - The sea is calm to-night. The tide is full, the moon lies fair Upon the straits ; — on the French coast the light Gleams and is gone ; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
Seite 124 - TO HELEN Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece And the grandeur that was Rome.
Seite 272 - HE clasps the crag with crooked hands ; Close to the sun in lonely lands, Ring'd with the azure world, he stands. The wrinkled sea beneath him crawls ; He watches from his mountain walls, And like a thunderbolt he falls.
Seite 238 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
Seite 126 - Hear the sledges with the bells Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night! While the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight...
Seite 238 - Everything did banish moan, Save the nightingale alone: She, poor bird, as all forlorn, Lean'd her breast up-till a thorn, And there sung the dolefull'st ditty, That to hear it was great pity. 'Fie, fie, fie...
Seite 252 - When shepherds pipe on oaten straws, And merry larks are ploughmen's clocks, When turtles tread, and rooks, and daws, And maidens bleach their summer smocks, The cuckoo then, on every tree, Mocks married men, for thus sings he, Cuckoo ; Cuckoo, cuckoo...
Seite 127 - Oh, from out the sounding cells, What a gush of euphony voluminously wells! How it swells! How it dwells On the Future!
Seite 302 - I sighed for thee ; When light rode high, and the dew was gone, And noon lay heavy on flower and tree, And the weary Day turned to his rest, Lingering like an unloved guest, I sighed for thee. Thy brother Death came, and cried,
Seite 124 - Helen, thy beauty is to me Like those Nicean barks of yore, That gently, o'er a perfumed sea, The weary, way-worn wanderer bore To his own native shore. On desperate seas long wont to roam, Thy hyacinth hair, thy classic face, Thy Naiad airs have brought me home To the glory that was Greece, And the grandeur that was Rome. Lo! in yon brilliant window-niche How statue-like I see thee stand, The agate lamp within thy hand! Ah, Psyche, from the regions which Are Holy Land!