Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1967 - 498 Seiten 1908. From the Introduction: In these lectures I propose to consider the four principal tragedies of Shakespeare from a single point of view. Nothing will be said of Shakespeare's place in the history of either English literature or of the drama in general. No attempt will be made to compare him with other writers. I shall leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, interrelations of his various works. Even what may be called, in a restricted sense, the poetry of the four tragedies-the beauties of style, diction, versification-I shall pass by in silence. Our one object will be what, again in a restricted sense, may be called dramatic appreciation; to increase our understanding and enjoyment of these works as dramas; to learn to apprehend the action and some of the personages of each with a somewhat greater truth and intensity, so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator. |
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Seite 179
... Desdemona ; ; but we watch Desdemona with more unmitigated distress . We are never wholly uninfluenced by the feeling that Othello is a man contending with another man ; but Desdemona's suffering is like that of the most loving of dumb ...
... Desdemona ; ; but we watch Desdemona with more unmitigated distress . We are never wholly uninfluenced by the feeling that Othello is a man contending with another man ; but Desdemona's suffering is like that of the most loving of dumb ...
Seite 240
... Desdemona by accusations of adultery . But , as a critic has pointed out , Emilia listens at the door , for we find , as soon as Othello is gone and Iago has been summoned , that she knows what Othello has said to Desdemona . And what ...
... Desdemona by accusations of adultery . But , as a critic has pointed out , Emilia listens at the door , for we find , as soon as Othello is gone and Iago has been summoned , that she knows what Othello has said to Desdemona . And what ...
Seite 436
... Desdemona , he had better let the matter be , for it concerns no one but him . This speech follows Othello's exclamation ' O Iago , the pity of it , ' and this is perhaps the moment when we most of all long to destroy Iago . ( 2 ) At ...
... Desdemona , he had better let the matter be , for it concerns no one but him . This speech follows Othello's exclamation ' O Iago , the pity of it , ' and this is perhaps the moment when we most of all long to destroy Iago . ( 2 ) At ...
Inhalt
LECTURE I | 5 |
LECTURE II | 40 |
LECTURE III | 79 |
Urheberrecht | |
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