Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1967 - 498 Seiten 1908. From the Introduction: In these lectures I propose to consider the four principal tragedies of Shakespeare from a single point of view. Nothing will be said of Shakespeare's place in the history of either English literature or of the drama in general. No attempt will be made to compare him with other writers. I shall leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, interrelations of his various works. Even what may be called, in a restricted sense, the poetry of the four tragedies-the beauties of style, diction, versification-I shall pass by in silence. Our one object will be what, again in a restricted sense, may be called dramatic appreciation; to increase our understanding and enjoyment of these works as dramas; to learn to apprehend the action and some of the personages of each with a somewhat greater truth and intensity, so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator. |
Im Buch
Ergebnisse 1-3 von 85
Seite 73
... Shakespeare's plays , if not in all , there are inconsistencies and contradictions , and also that questions are suggested to the reader which it is impossible for him to answer with ... Shakespeare LECT . II . 73 SHAKESPEARE AS ARTIST.
... Shakespeare's plays , if not in all , there are inconsistencies and contradictions , and also that questions are suggested to the reader which it is impossible for him to answer with ... Shakespeare LECT . II . 73 SHAKESPEARE AS ARTIST.
Seite 79
... SHAKESPEARE'S TRAGIC PERIOD - HAMLET I BEFORE We come to - day to Hamlet , the first of our four tragedies , a few remarks must be made on their probable place in Shakespeare's literary career . But I shall say no more than seems ...
... SHAKESPEARE'S TRAGIC PERIOD - HAMLET I BEFORE We come to - day to Hamlet , the first of our four tragedies , a few remarks must be made on their probable place in Shakespeare's literary career . But I shall say no more than seems ...
Seite 202
... Shakespeare Othello was a black , he should be represented as a black in our theatres now . I dare say not . We do not like the real Shakespeare . We like to have his language pruned and his concep- tions flattened into something that ...
... Shakespeare Othello was a black , he should be represented as a black in our theatres now . I dare say not . We do not like the real Shakespeare . We like to have his language pruned and his concep- tions flattened into something that ...
Inhalt
LECTURE I | 5 |
LECTURE II | 40 |
LECTURE III | 79 |
Urheberrecht | |
20 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action answer Antony and Cleopatra appears Banquo believe blood CALIFORNIA/SANTA CRUZ Cassio catastrophe cause character conflict Cordelia Coriolanus CRUZ The University Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less Library UNIVERSITY lines Macduff madness means merely mind murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth UNIVERSITY OF CALIFORNIA/SANTA whole wife Witches words