Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1967 - 498 Seiten 1908. From the Introduction: In these lectures I propose to consider the four principal tragedies of Shakespeare from a single point of view. Nothing will be said of Shakespeare's place in the history of either English literature or of the drama in general. No attempt will be made to compare him with other writers. I shall leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, interrelations of his various works. Even what may be called, in a restricted sense, the poetry of the four tragedies-the beauties of style, diction, versification-I shall pass by in silence. Our one object will be what, again in a restricted sense, may be called dramatic appreciation; to increase our understanding and enjoyment of these works as dramas; to learn to apprehend the action and some of the personages of each with a somewhat greater truth and intensity, so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator. |
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Seite 43
... imagination are assaulted by a storm of thunder and supernatural alarm . This scene is only eleven lines long , but ... imagination to carry him with pleasure through the exposition , though in the theatre , where his imagination is ...
... imagination are assaulted by a storm of thunder and supernatural alarm . This scene is only eleven lines long , but ... imagination to carry him with pleasure through the exposition , though in the theatre , where his imagination is ...
Seite 189
... imagination with ecstasy . For there is not love , not that of Romeo in his youth , more steeped in imagination than Othello's . The sources of danger in this character are re- vealed but too clearly by the story . In the first place ...
... imagination with ecstasy . For there is not love , not that of Romeo in his youth , more steeped in imagination than Othello's . The sources of danger in this character are re- vealed but too clearly by the story . In the first place ...
Seite 270
... imagination , that is to say , the ex- plosions of Lear's passion , and the bursts of rain . and thunder , are not , what for the senses they must be , two things , but manifestations of one thing . It is the powers of the tormented ...
... imagination , that is to say , the ex- plosions of Lear's passion , and the bursts of rain . and thunder , are not , what for the senses they must be , two things , but manifestations of one thing . It is the powers of the tormented ...
Inhalt
LECTURE I | 5 |
LECTURE II | 40 |
LECTURE III | 79 |
Urheberrecht | |
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