Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1967 - 498 Seiten 1908. From the Introduction: In these lectures I propose to consider the four principal tragedies of Shakespeare from a single point of view. Nothing will be said of Shakespeare's place in the history of either English literature or of the drama in general. No attempt will be made to compare him with other writers. I shall leave untouched, or merely glanced at, questions regarding his life and character, the development of his genius and art, the genuineness, sources, texts, interrelations of his various works. Even what may be called, in a restricted sense, the poetry of the four tragedies-the beauties of style, diction, versification-I shall pass by in silence. Our one object will be what, again in a restricted sense, may be called dramatic appreciation; to increase our understanding and enjoyment of these works as dramas; to learn to apprehend the action and some of the personages of each with a somewhat greater truth and intensity, so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator. |
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Seite 12
... interest lay here . To say that it lay in mere character , or was a psycho- logical interest , would be a great mistake , for he was dramatic to the tips of his fingers . It is possible to find places where he has given a certain ...
... interest lay here . To say that it lay in mere character , or was a psycho- logical interest , would be a great mistake , for he was dramatic to the tips of his fingers . It is possible to find places where he has given a certain ...
Seite 18
... interest and dwells in our memory at least as much as the conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a ...
... interest and dwells in our memory at least as much as the conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a ...
Seite 255
... interest to another , is overstrained . becomes , if not intellectually confused , at least emotionally fatigued . The battle , on which every- thing turns , scarcely affects him . The deaths of Edmund , Goneril , Regan and Gloster seem ...
... interest to another , is overstrained . becomes , if not intellectually confused , at least emotionally fatigued . The battle , on which every- thing turns , scarcely affects him . The deaths of Edmund , Goneril , Regan and Gloster seem ...
Inhalt
LECTURE I | 5 |
LECTURE II | 40 |
LECTURE III | 79 |
Urheberrecht | |
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action answer Antony and Cleopatra appears Banquo believe blood CALIFORNIA/SANTA CRUZ Cassio catastrophe cause character conflict Cordelia Coriolanus CRUZ The University Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes Lear's less Library UNIVERSITY lines Macduff madness means merely mind murder nature never once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason refer Regan regard Richard III Romeo scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth UNIVERSITY OF CALIFORNIA/SANTA whole wife Witches words