Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 79Gale Research Company, 1984 |
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Seite 343
... erotic artwork . The point is that literary imagination , without some sort of physical intervention , lacks the means to satisfy erotic desire . This moral is reinforced by the allusion to Pliny's famous story of the Greek artist ...
... erotic artwork . The point is that literary imagination , without some sort of physical intervention , lacks the means to satisfy erotic desire . This moral is reinforced by the allusion to Pliny's famous story of the Greek artist ...
Seite 345
... erotic ontology and a philosophical one . Desire sustains the reality of its object even when that object has proven disappointing or frustrating . If Venus ' continued attachment to Adonis , beyond any hope of sexual consummation ...
... erotic ontology and a philosophical one . Desire sustains the reality of its object even when that object has proven disappointing or frustrating . If Venus ' continued attachment to Adonis , beyond any hope of sexual consummation ...
Seite 357
... erotic surrender , but her proposal of " honey secrets " " as " meed " " ( " reward , " punning on “ mead " [ honey liquor ] ) also intertwines these linguistic treats with the honeyed sexual " secrets " " also on offer ( " honey ...
... erotic surrender , but her proposal of " honey secrets " " as " meed " " ( " reward , " punning on “ mead " [ honey liquor ] ) also intertwines these linguistic treats with the honeyed sexual " secrets " " also on offer ( " honey ...
Inhalt
Henry | 1 |
Character Studies | 30 |
Production Reviews | 56 |
Urheberrecht | |
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action Adonis's Agincourt argues audience Brabantio Cambridge Cassio characters Chorus Christian chronicle church comedy comic conscience context critics cultural death Desdemona desire Devil Diana discourse dramatic early modern Elizabethan Emilia England English Ephesus episode erotic essay date Falstaff father figure Fluellen French goddess Gower handkerchief Harfleur hath Henry Henry IV Henry's Holinshed homosocial Iago Iago's Jacobean John King lago language lines literary London Lysimachus magic Marina medieval ment Moor moral myth narrative Othello Ovid Ovidian performance Pericles play play's poem poem's political present Prince Prince of Tyre production reader Renaissance response rhetorical Richard Richard II ritual role romance scene sense sexual Shake Shakespeare Quarterly social sodomitical soldiers Southampton plot speare speare's speech stage story suggests symbolic tale Thaisa theater thou tion Titian tradition tragedy tragic Univ University Press Venetian Venice Venus and Adonis Venus's William women York