Counter-statement

Aeschylus aesthetic Agamemnon appeal arise arouse artist Aschenbach aspects attempt attitude audience beauty become belief Byron caesura called categorical expectancy character chorus complex concept consider contemporary conventional form crescendo critical cultural deal death Death in Venice doctrine drama effects eloquence emotion emphases Euripides fact Falstaff feel fiction Flaubert formal Gide Gourmont Greek Greek chorus Hamlet human ideology individual innovations instance interest kind less literature living logical Lycidas Madame Bovary Marius the Epicurean matter means ment method modes of experience moral nature nomic particular Pater pattern of experience Peasant perhaps play plot poet political principle processes produce prose psychology pure ramifications re-individuating reader Remy de Gourmont repetitive form rhythm seems sense sentence Shakespeare situation social specific Stendhal stressing style subject-matter syllogistic Symbol thing Thomas Mann tion Tonio Kröger tragedy tragic transvaluation of values truth underlying word writing