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The answer is indicated in the dictum of Aquinas, that "there is no knowledge without phantasmata;" that is, that phenomena, to be really apprehended, must be presented to the understanding by the imaginative faculty

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The domain of physical science is the sphere of sense perception

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The evolutionary formula is not concerned with the origin of spirtual or vital forces

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The moral sense may have been evolved as Mr. Darwin supposes, but you do not explain a thing by tracing it back to its rudimentary forms, or by exhibiting the course of its development.

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In the moral sense there is something transcending organic life and sensation. Relativity is the last word of Darwinism. The Categorical Imperative is absolute. 125

Mr. Darwin's facts point to, and harmonise with, a psychic basis of life and Directive Intelligence

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Thus the whole universe is transfigured before us, and we catch some glimpse of its real meaning. The supreme law which rules through it, is a law of tendency upwards, of striving after perfection. This is the true law of evolution

These considerations commended to men of good will who

rage against Mr. Darwin's doctrine without under-
standing it

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CHAPTER V.

THE REVOLUTION AND ART.

Naturalism in art a note of the Revolution

M. Zola's Nana may be regarded as a type of Natural

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M. Zola's apology for Naturalism as the manifestation in art of the Revolutionary idea.

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M. Zola contends that the object of Naturalism is a return to nature; his view of nature

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The old view of nature

Difference between the old and the new æstheticism

M. Zola contends that the novelistic and dramatic art,

like all other art, must be scientific, physiological,
pathological, positive, in order to harmonise with the
Revolutionary spirit. He claims as his great fore-
father, Diderot, and asserts that Stendhal, Gustave
Flaubert, and Balzac were of the same school

M. Zola does, in some sort, represent the movement in
literature initiated by Diderot, but he has no warrant
for numbering Stendhal, Gustave Flaubert, and
Balzac among the prophets of experimental art

His parallel between his school in literature, and the school in medicine of which Claude Bernard was the great light, is fair enough

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SUMMARY.

And his claim that his school is the popular artistic expression of the Revolution seems unquestionably

true

This is the especial value of his writings

The true mission of the artist

CHAPTER VI.

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THE REVOLUTION AND DEMOCRACY.

The word Democracy is commonly used to denote the polity in contemporary Europe which is informed by the Revolutionary dogma

This Democracy has very little in common with the democracies of pre-Christian Europe or of the Middle Ages

Ancient and medieval democracies were the result of fierce struggles, and of the triumph of the most highly endowed races; they rested upon a basis of fact, and were, even in their most popular form, essentially aristocratic; citizenship in them being regarded not as a natural right but as a hardly won privilege

The Revolutionary Democracy of the present day, on the other hand, starts with the proposition that man, quà man, possesses all the highest attributes of citizenship, and is based on Rousseau's theory of the abstract rights, innate, inalienable, and imprescriptible, of humanity in an imaginary state of nature

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Its issue cannot be doubtful; the doctrines of absolute political equality, and of the supreme right of the numerical majority-relatively poor-must issue in Socialism

This is the hell which awaiteth the nation that loveth and maketh a lie. And a lie the Revolutionary dogma assuredly is. Every one of the propositions which constitute its ideal of man and of society, is demonstrably, is obviously, false

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Bishop Butler's question, whether nations can go mad, is answered by a Century of Revolution. A nation given over to the strong delusion to believe the Revolutionary dogma, can hardly be accounted sane. 176

Still, not by its mendacity, but by the truth latent in it, does any lie live. In the Revolutionary dogma are hidden various verities

But the great fact called Modern Democracy is one thing. The Revolutionary dogma is another. There is no necessary connection between them. In truth, the work of the Revolution for Modern Democracy has been chiefly to pervert and falsify it, and to retard indefinitely its development.

The phase called Democracy into which Europe has entered, is the latest term in a movement which has been in progress since the beginning of our civilisa

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