Introduction to ShakespeareBlackie, 1907 - 136 Seiten |
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Seite 46
... spectators , but to the public . As poets of the Renaissance they de- lighted in classical allusion and classical imagery , but these served chiefly as a colour and varnish of their art ; in conception it was essentially romantic and ...
... spectators , but to the public . As poets of the Renaissance they de- lighted in classical allusion and classical imagery , but these served chiefly as a colour and varnish of their art ; in conception it was essentially romantic and ...
Seite 48
... spectators who occupied the pit or " yard " were obliged in public theatres to stand ; in private theatres they were seated . The interior form of theatres was usually circular or oval , and the boxes or " rooms " and galleries or ...
... spectators who occupied the pit or " yard " were obliged in public theatres to stand ; in private theatres they were seated . The interior form of theatres was usually circular or oval , and the boxes or " rooms " and galleries or ...
Seite 97
... spectators " are always in their senses , and know , from the first act to the last , that the stage is only a stage ; " knowing which they can make time and place , as well as any other mode of being , obsequious to the imagination ...
... spectators " are always in their senses , and know , from the first act to the last , that the stage is only a stage ; " knowing which they can make time and place , as well as any other mode of being , obsequious to the imagination ...
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