Shakespearean Tragedy: Hamlet, Othello, King Lear, MacbethFawcett Premier, 1977 - 432 Seiten This centenary edition features a new Introduction by Robert Shaughnessy that places Bradley's work in the critical, intellectual and cultural context of its time. Shaughnessy summarises the content and argumentative thrust of the book, outlines the critical debates and counter-arguments that have followed in the wake of its publication and, most importantly, prompts readers to engage with Bradley's work itself. Book jacket. |
Im Buch
Ergebnisse 1-3 von 31
Seite 23
... considered is to strengthen the tendency , produced by the sufferings considered first , to regard the tragic persons as passive rather than as agents . Aristotle's . But Hegel's view of the tragic conflict is I : The Substance of ...
... considered is to strengthen the tendency , produced by the sufferings considered first , to regard the tragic persons as passive rather than as agents . Aristotle's . But Hegel's view of the tragic conflict is I : The Substance of ...
Seite 94
... considered rather a symptom of his state than a cause of it . These assertions may be too brief to be at once clear , but I hope they will presently become so . 3 Let us first ask ourselves what we can gather from the play , immediately ...
... considered rather a symptom of his state than a cause of it . These assertions may be too brief to be at once clear , but I hope they will presently become so . 3 Let us first ask ourselves what we can gather from the play , immediately ...
Seite 137
... considered to be out of his mind . She hears the question constantly discussed what the cause of this sad change can be ; and her heart tells her how can it fail to tell her ? -that her unkindness is the chief cause . Suddenly Hamlet ...
... considered to be out of his mind . She hears the question constantly discussed what the cause of this sad change can be ; and her heart tells her how can it fail to tell her ? -that her unkindness is the chief cause . Suddenly Hamlet ...
Inhalt
INTRODUCTION | xi |
XCONSTRUCTION IN SHAKESPEARES TRAGEDIES | 41 |
LECTURE IV | 110 |
Urheberrecht | |
21 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action answer appears beginning believe called Cassio cause certainly character comes considered Cordelia course critics death deed Desdemona doubt drama effect evidently evil expression fact fate father fear feel follows force further Ghost give Goneril Hamlet hand heart hero human Iago idea imagination impression interest Kent kind King Lear Lady later least leave less letter lines live look Macbeth matter means mere merely mind murder nature never NOTE observe once Ophelia Othello pain passage passion perhaps persons play possible present probably question reader reason refer regard scene seems seen sense Shakespeare simply soliloquy soul speak speech stage stand story suffering suggest suppose surely tell things thou thought tion tragedy tragic true truth turn whole Witches