Transactions of the Royal Society of Literature of the United KingdomOxford University Press, 1966 |
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Seite 75
... feel what one is writing about . There is no recipe for it : it is like feeling in real life - one either has it or one has not . It has been said that a novelist will never be any good until he has learnt to exteriorize himself and to ...
... feel what one is writing about . There is no recipe for it : it is like feeling in real life - one either has it or one has not . It has been said that a novelist will never be any good until he has learnt to exteriorize himself and to ...
Seite 88
... feel themselves cast for the roles of the Lost Sheep and the Prodigal Son . If Jonathan Wild the Great had been written today , I think he would have been the hero of it , not the villain , and we should have been expected to feel sorry ...
... feel themselves cast for the roles of the Lost Sheep and the Prodigal Son . If Jonathan Wild the Great had been written today , I think he would have been the hero of it , not the villain , and we should have been expected to feel sorry ...
Seite 107
... feel , that the speaker knows a lot about the subject and his audience does not . Here , it is true , I know all the questions - but so do you . Neither of us , though , knows all the answers . But then , as I said years ago , when I ...
... feel , that the speaker knows a lot about the subject and his audience does not . Here , it is true , I know all the questions - but so do you . Neither of us , though , knows all the answers . But then , as I said years ago , when I ...
Inhalt
Katja Reissner Lecture 1960 | 19 |
THE PLAYS OF JOHN WHITING | 36 |
THE COMEDIES OF T S ELIOT 55 | 55 |
Urheberrecht | |
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