Tamkang Review, Band 29

appeared attempt become Chang characters Chen China Chinese Chinese Literature collection Comparative construction contemporary critics cultural desire discourse discussion dominant Eileen English example experience expression feelings female feminine feminism feminist fiction force gender gives hand human identity images important individual issue Kwan language literary literature living Mahua male meaning Modern Chinese Modernist moral movement narrative narrator nature nostalgia NOTES novel original past play poems poetic poetry poets political position postmodern present production published qing question reader recent reference relation represented Review role Rose satire scene sense sexual significance Singapore social society space Splendor story studies suggests symbolic Taipei Taiwan theory tion traditional translation University voice Wang Western White woman women writing xiaoshuo young Zhang Zhu's