Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 249
... audience . But they are there also to draw attention to the theatrical nature of this event ; a performance , in which history is reshaped and transformed by actors , be- fore an audience , on a stage . The Choruses are there to ...
... audience . But they are there also to draw attention to the theatrical nature of this event ; a performance , in which history is reshaped and transformed by actors , be- fore an audience , on a stage . The Choruses are there to ...
Seite 253
... audience in the pit . Maybe that way the film audience would be challenged . Play the first few scenes on the Globe stage in a highly , absolutely deliberate theatrical style ; get the film audience used to the language , and let them ...
... audience in the pit . Maybe that way the film audience would be challenged . Play the first few scenes on the Globe stage in a highly , absolutely deliberate theatrical style ; get the film audience used to the language , and let them ...
Seite 365
... audience . ] Garrick scorned to lacky after any actor whatever ; he de- pended on his own genius , and was completely an original performer . All was his own creation : he might truly say , " I am myself alone ! " His first appearance ...
... audience . ] Garrick scorned to lacky after any actor whatever ; he de- pended on his own genius , and was completely an original performer . All was his own creation : he might truly say , " I am myself alone ! " His first appearance ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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acting action actor Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company Royal Shakespeare Theatre Sally Beauman scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young