Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 224
... camera in the film . For the design of the production as a whole determined the camera technique used . Most films jump from using the camera as an observer ( or as it has been called , " objective camera " ) to using it to show what ...
... camera in the film . For the design of the production as a whole determined the camera technique used . Most films jump from using the camera as an observer ( or as it has been called , " objective camera " ) to using it to show what ...
Seite 237
... camera moved in until when she finally drank it , all you saw was her face , the cup and her hand . That was all wrong , because it didn't allow for the fact that it isn't nec- essary in Shakespeare for the camera to create the climax ...
... camera moved in until when she finally drank it , all you saw was her face , the cup and her hand . That was all wrong , because it didn't allow for the fact that it isn't nec- essary in Shakespeare for the camera to create the climax ...
Seite 251
... camera approached her for the climax of that speech leading up to taking the potion - Romeo , I come ! This do I drink to thee ' . At the moment of climax she was acting very smal- ly , because the camera was near . That was not the way ...
... camera approached her for the climax of that speech leading up to taking the potion - Romeo , I come ! This do I drink to thee ' . At the moment of climax she was acting very smal- ly , because the camera was near . That was not the way ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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acting action actor Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company Royal Shakespeare Theatre Sally Beauman scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young