Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 111
... opening night the critics greeted this historic pro- duction with distinctly subdued enthusiasm . Seen , as I saw it , two months into its run , it prompted very mixed feel- ings indeed . The detail was ragged ( Sir Walter Blunt , to ...
... opening night the critics greeted this historic pro- duction with distinctly subdued enthusiasm . Seen , as I saw it , two months into its run , it prompted very mixed feel- ings indeed . The detail was ragged ( Sir Walter Blunt , to ...
Seite 174
... opening scenes . The stag- ing was austere and no masking covered the network of ropes , lamps , and bridges . At the outset , actors strolled onto the stage in rehearsal clothes and wandered about for several minutes before the ...
... opening scenes . The stag- ing was austere and no masking covered the network of ropes , lamps , and bridges . At the outset , actors strolled onto the stage in rehearsal clothes and wandered about for several minutes before the ...
Seite 230
... opening sequence was done shows , aside from its irrelevant criti- cism , an awareness of stylistic differences between this part of the film and the scenes that follow it . In general , the opening and closing scenes of Henry V lack ...
... opening sequence was done shows , aside from its irrelevant criti- cism , an awareness of stylistic differences between this part of the film and the scenes that follow it . In general , the opening and closing scenes of Henry V lack ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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