Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 14Gale Research Company, 1984 |
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Seite 192
... scene in the Painted Chamber could be largely pre - set . The stage directions at the end of Chorus I sup- port this assumption by allowing time for final changes : " Curtains descend . When ready behind , Curtains ascend and discover Scene ...
... scene in the Painted Chamber could be largely pre - set . The stage directions at the end of Chorus I sup- port this assumption by allowing time for final changes : " Curtains descend . When ready behind , Curtains ascend and discover Scene ...
Seite 224
... scene , enter from the upper stage and come down to the apron , then move back into the inner stage . The scene designer has obviously looked into all the ver- sions of the Elizabethan façade for inspiration . As we approach the battle ...
... scene , enter from the upper stage and come down to the apron , then move back into the inner stage . The scene designer has obviously looked into all the ver- sions of the Elizabethan façade for inspiration . As we approach the battle ...
Seite 225
... scene at the docks of Southampton . This scene , not the Boar's Head scene , is the first scene played off the Globe stage . The Boar's Head follows with its very thinly disguised Globe façade , but this Southampton scene , played on ...
... scene at the docks of Southampton . This scene , not the Boar's Head scene , is the first scene played off the Globe stage . The Boar's Head follows with its very thinly disguised Globe façade , but this Southampton scene , played on ...
Inhalt
Henry IV Part 1 and Henry IV Part 2 | 1 |
Henry V | 172 |
Richard III | 353 |
Urheberrecht | |
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acting action actor Agincourt Alan Howard appeared audience Bardolph battle battle of Agincourt Branagh camera cast character Charles Chorus Cibber comic costumes court critic death dramatic Drury Lane Eastcheap effect Elizabethan Emrys James English essay date Falstaff father feel Fluellen France French Glendower Hackett Hal's Hands's Harfleur Harry Henry VI Henry's Hotspur Ian Holm Kean Kean's Kemble King Henry King's Lady Laurence Olivier lines London look Lord Macready ment mind never night Old Vic Olivier Olivier's film opening Percy performance Pistol play's Poins portrayal praise present Prince Hal production of Henry review date Richard Richard III role Royal Shakespeare Royal Shakespeare Company Royal Shakespeare Theatre Sally Beauman scene seems Shake Shakespeare's play Shallow Sir John soldiers soliloquy speak speare's speech stage Stratford style success tavern Terry Hands Theatre theatrical thou tion Trevor Nunn voice William words young