Byron: A Collection of Critical EssaysPaul West Prentice-Hall, 1963 - 175 Seiten In this volume, some of the foremost writers and critics of our time interpret Byron's work and personality, emphasizing the inseparable link between the artist and the man. |
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... Augustan satire but a Regency self - release in which the Augustan element is balanced by " the positive to which he appeals . . . a generous common humanity , some- thing that is indifferent to forms , conventions and classes . " W. W. ...
... Augustan satire but a Regency self - release in which the Augustan element is balanced by " the positive to which he appeals . . . a generous common humanity , some- thing that is indifferent to forms , conventions and classes . " W. W. ...
Seite 83
... Augustan satire could be properly suggested only in much longer quotations . It is made the more apparent by his local approximations to the wit of Pope ( and sometimes of Dryden ) . For success in an Augustan mode there would have to ...
... Augustan satire could be properly suggested only in much longer quotations . It is made the more apparent by his local approximations to the wit of Pope ( and sometimes of Dryden ) . For success in an Augustan mode there would have to ...
Seite 92
... Augustan manner , a Popean neatness : glittering youth , which I have spent betimes— My heart in passion , and my head on rhymes . The general nature of the effect is obvious without all this analysis , but analysis perhaps serves to ...
... Augustan manner , a Popean neatness : glittering youth , which I have spent betimes— My heart in passion , and my head on rhymes . The general nature of the effect is obvious without all this analysis , but analysis perhaps serves to ...
Inhalt
INTRODUCTIONPaul West | 1 |
THE TWO ETERNITIES 1939G Wilson Knight | 31 |
METAMORPHOSES OF SATAN 1933Mario Praz | 42 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Adeline alliteration Annabella aristocratic Augustan become Beppo Botherby Byronic hero Canto century character Childe Harold Coleridge comic Corsair couplet death Doge Don Juan draft dramatic edited effect emotional English epic essay eternity eyes F. R. Leavis fact fair copy farce feeling force Giaour guilt Gulbeyaz Guy Steffan Haidée Haidée's hate heart Helen Gardner hero human imitation irony John Wain Juan's Keats kind Lady Lambro later letter literary lives Lord Byron Manfred manner Marino Faliero Mario Praz matrix stanzas Milton mind moral nature never o'er octave ottava rima passage passion phrase Pierpont Morgan plays poem poet poetic poetry Pope Professor Steffan revision rhetorical rhyme rhythm rhythmical romantic Sardanapalus Satan satiric satirist seems sense sentimental Shelley spirit stanzas stunts style Suwarrow T. S. Eliot theme thing thou thought tion tone verse Wain Wilson Knight women words Wordsworth writing written