Byron: A Collection of Critical EssaysPaul West Prentice-Hall, 1963 - 175 Seiten In this volume, some of the foremost writers and critics of our time interpret Byron's work and personality, emphasizing the inseparable link between the artist and the man. |
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Seite 37
... irony , and beneath irony , with pathos . Juan is doomed from every point of view - even his moments of devotion are permeated with a taint which it would be inadequate to call " sexual . " And how closely , a little later on , memories ...
... irony , and beneath irony , with pathos . Juan is doomed from every point of view - even his moments of devotion are permeated with a taint which it would be inadequate to call " sexual . " And how closely , a little later on , memories ...
Seite 92
... irony , nor their coming from the same poet , is specifically Byronic . There is such a thing as Romantic irony , as in Heine or Musset . What is highly personal to Byron , is the temporary stabilization of conflicting emotions , in a ...
... irony , nor their coming from the same poet , is specifically Byronic . There is such a thing as Romantic irony , as in Heine or Musset . What is highly personal to Byron , is the temporary stabilization of conflicting emotions , in a ...
Seite 142
... irony where irony is not really in order . The irony of Strachey himself always serves to con- vey some criticism : as Mr. Clive Bell has said , Strachey's attitude toward the Victorian Age implies a judgment derived from a study of the ...
... irony where irony is not really in order . The irony of Strachey himself always serves to con- vey some criticism : as Mr. Clive Bell has said , Strachey's attitude toward the Victorian Age implies a judgment derived from a study of the ...
Inhalt
INTRODUCTIONPaul West | 1 |
THE TWO ETERNITIES 1939G Wilson Knight | 31 |
METAMORPHOSES OF SATAN 1933Mario Praz | 42 |
Urheberrecht | |
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Adeline alliteration Annabella aristocratic Augustan become Beppo Botherby Byronic hero Canto century character Childe Harold Coleridge comic Corsair couplet death Doge Don Juan draft dramatic edited effect emotional English epic essay eternity eyes F. R. Leavis fact fair copy farce feeling force Giaour guilt Gulbeyaz Guy Steffan Haidée Haidée's hate heart Helen Gardner hero human imitation irony John Wain Juan's Keats kind Lady Lambro later letter literary lives Lord Byron Manfred manner Marino Faliero Mario Praz matrix stanzas Milton mind moral nature never o'er octave ottava rima passage passion phrase Pierpont Morgan plays poem poet poetic poetry Pope Professor Steffan revision rhetorical rhyme rhythm rhythmical romantic Sardanapalus Satan satiric satirist seems sense sentimental Shelley spirit stanzas stunts style Suwarrow T. S. Eliot theme thing thou thought tion tone verse Wain Wilson Knight women words Wordsworth writing written