Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
Im Buch
Ergebnisse 1-3 von 89
Seite 24
... Garrick . " Isaac Reed , in his continuation of Dr. Baker's Biographia Dramatica , considered the Alteration made in the true spirit of Bottom the Weaver who wished to play not only the part assigned to him , but all the rest in the ...
... Garrick . " Isaac Reed , in his continuation of Dr. Baker's Biographia Dramatica , considered the Alteration made in the true spirit of Bottom the Weaver who wished to play not only the part assigned to him , but all the rest in the ...
Seite 27
... Garrick wished later to restore the solilo- quy , " How all occasions do inform against me " [ IV.iv.32- 66 ] , which refers to the Fortinbras episode , and to the very material about which these men give us knowledge . In Garrick's ...
... Garrick wished later to restore the solilo- quy , " How all occasions do inform against me " [ IV.iv.32- 66 ] , which refers to the Fortinbras episode , and to the very material about which these men give us knowledge . In Garrick's ...
Seite 28
... Garrick must in this case accept the fact that for once French theo- ry overcame his English allegiance . Garrick's last performance of Hamlet was on May 30 , 1776. In the Drury Lane Record Book there is the follow- ing note relative to ...
... Garrick must in this case accept the fact that for once French theo- ry overcame his English allegiance . Garrick's last performance of Hamlet was on May 30 , 1776. In the Drury Lane Record Book there is the follow- ing note relative to ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young