Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 166
... John had again grown weary , closed in Cleveland . Knowing that he was depriving the members of the cast of needed salary , John held a farewell party in Cleveland and made sure that a hundred dollar bill was under the plate of each of ...
... John had again grown weary , closed in Cleveland . Knowing that he was depriving the members of the cast of needed salary , John held a farewell party in Cleveland and made sure that a hundred dollar bill was under the plate of each of ...
Seite 187
... John would let his attention wander during the duel and that he would go down in history as the actor who put out John Giel- gud's eye . Meanwhile John , who was never a good fencer and had to rehearse the fight before each performance ...
... John would let his attention wander during the duel and that he would go down in history as the actor who put out John Giel- gud's eye . Meanwhile John , who was never a good fencer and had to rehearse the fight before each performance ...
Seite 421
... John Barrymore : Good Night , Sweet Prince , pp . 205-24 . New York : The Viking Press , 1944 . Anecdotal account of John Barrymore's productions of Hamlet in the 1920s . Freedland , Michael . " Seven . " In his Peter O'Toole , pp . 91 ...
... John Barrymore : Good Night , Sweet Prince , pp . 205-24 . New York : The Viking Press , 1944 . Anecdotal account of John Barrymore's productions of Hamlet in the 1920s . Freedland , Michael . " Seven . " In his Peter O'Toole , pp . 91 ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young