Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 232
... O'Toole's performance , but concedes that the actor broke " away from mere adequa- cy on several occasions . " ] Great Britain's new National Theatre has taken over the premises and the audiences of the Old Vic and appears to be off to ...
... O'Toole's performance , but concedes that the actor broke " away from mere adequa- cy on several occasions . " ] Great Britain's new National Theatre has taken over the premises and the audiences of the Old Vic and appears to be off to ...
Seite 233
... O'Toole whether there was any jealousy that Olivier displayed toward O'Toole , for Olivi- er , after all , was used to the attention falling on him . O'Toole thought not . If he was sending out waves like that , I wasn't aware of them ...
... O'Toole whether there was any jealousy that Olivier displayed toward O'Toole , for Olivi- er , after all , was used to the attention falling on him . O'Toole thought not . If he was sending out waves like that , I wasn't aware of them ...
Seite 235
... O'Toole's Hamlet was considered ordinary , ' his features twisted . . . into an introspective melancholy . ' O'Toole and Olivier were relieved that the notices had not been worse . There had been an unspoken agreement among the critics ...
... O'Toole's Hamlet was considered ordinary , ' his features twisted . . . into an introspective melancholy . ' O'Toole and Olivier were relieved that the notices had not been worse . There had been an unspoken agreement among the critics ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young