Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 34
... admirable ! in action , how like an angel ! in apprehension , how like a God ! the beauty of the world ! the paragon of animals ! and yet , to me , what is this quintessence of dust ? Man delights not me . [ II.ii.295-309 ] Bishop ...
... admirable ! in action , how like an angel ! in apprehension , how like a God ! the beauty of the world ! the paragon of animals ! and yet , to me , what is this quintessence of dust ? Man delights not me . [ II.ii.295-309 ] Bishop ...
Seite 73
... admiration . Booth himself , then in his early fifties , had turned prematurely gray , wearying though never breaking ... admirable for- titude . In either of these phases , and until the actor's failing health quite enfeebled it ...
... admiration . Booth himself , then in his early fifties , had turned prematurely gray , wearying though never breaking ... admirable for- titude . In either of these phases , and until the actor's failing health quite enfeebled it ...
Seite 215
... admiration " . But at the begin- ning of the play his was " the honest , frank perplexity of a modern young man at ... admirable prose Hamlet - swift , sardonic , passionate . . . . He is handsome in presence , and in his general ...
... admiration " . But at the begin- ning of the play his was " the honest , frank perplexity of a modern young man at ... admirable prose Hamlet - swift , sardonic , passionate . . . . He is handsome in presence , and in his general ...
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Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young