Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 70
... called before the curtain at the end of every act amid en- thusiastic applause from all parts of the house . A review of " Hamlet , " in The Times , London , November 8 , 1880 , p . 8 . Asia Booth Clarke ( essay date 1882 ) [ Clarke ...
... called before the curtain at the end of every act amid en- thusiastic applause from all parts of the house . A review of " Hamlet , " in The Times , London , November 8 , 1880 , p . 8 . Asia Booth Clarke ( essay date 1882 ) [ Clarke ...
Seite 73
... called Booth's Theatre , and determined there to climax his al- ready long career as Hamlet with a production and perfor- mance which would be definitive . It emerged as the trage- dy of a good and brilliant man destroyed by circum ...
... called Booth's Theatre , and determined there to climax his al- ready long career as Hamlet with a production and perfor- mance which would be definitive . It emerged as the trage- dy of a good and brilliant man destroyed by circum ...
Seite 327
... called Histoires Tragiques . Seven years later an English translation called The Hystorie of Hamblet appeared , but by this time the play was so well known that the anonymous translator actually used phrases from it . We are witnessing ...
... called Histoires Tragiques . Seven years later an English translation called The Hystorie of Hamblet appeared , but by this time the play was so well known that the anonymous translator actually used phrases from it . We are witnessing ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young