Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 121
... closet scene they effected a partial reconciliation ; the past could not be forgotten , but at least Gertrude repented . Above all , she demonstrated that her love for Hamlet was genuine , and that in the coming conflict between her ...
... closet scene they effected a partial reconciliation ; the past could not be forgotten , but at least Gertrude repented . Above all , she demonstrated that her love for Hamlet was genuine , and that in the coming conflict between her ...
Seite 193
... scene with Rosencrantz and Guildenstern , and my favourite prose speech in the play , ' What a piece of work is a ... closet scene [ Act III , scene iv ] is more grateful , and a woman's voice helps to make a contrast in tone and ...
... scene with Rosencrantz and Guildenstern , and my favourite prose speech in the play , ' What a piece of work is a ... closet scene [ Act III , scene iv ] is more grateful , and a woman's voice helps to make a contrast in tone and ...
Seite 337
... Closet Scene ( Act III , scene iv ) ] , to produce from his pocket two pictures in lit- tle , of his father and uncle , not much bigger than two large coins or medallions . How the graceful attitude of a man could be given in miniature ...
... Closet Scene ( Act III , scene iv ) ] , to produce from his pocket two pictures in lit- tle , of his father and uncle , not much bigger than two large coins or medallions . How the graceful attitude of a man could be given in miniature ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young