Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 262
... court rose . After the king had spoken the first seven lines as a formal tribute to his late brother , he sat , so all the court sat . The director was firmly establishing Claudius as the " expert politician " ( to quote his talk to the ...
... court rose . After the king had spoken the first seven lines as a formal tribute to his late brother , he sat , so all the court sat . The director was firmly establishing Claudius as the " expert politician " ( to quote his talk to the ...
Seite 284
... court retreat to the intimacies of their own Palace Revolution . Brenda Bruce's Gertrude is a blonde sexpot barely con- cealing her boredom with Higher Things with the perfunc- tory sign of the cross when passing through the court ...
... court retreat to the intimacies of their own Palace Revolution . Brenda Bruce's Gertrude is a blonde sexpot barely con- cealing her boredom with Higher Things with the perfunc- tory sign of the cross when passing through the court ...
Seite 295
... court cold - shouldered him , and he chose not to press the point , but the friendship with Hamlet was real and attractive . The players came from the same rough world , working ac- tors who respected the craft they practised . ' The ...
... court cold - shouldered him , and he chose not to press the point , but the friendship with Hamlet was real and attractive . The players came from the same rough world , working ac- tors who respected the craft they practised . ' The ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young