Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
Im Buch
Ergebnisse 1-3 von 52
Seite 19
... emotion . This manner of shedding tears , which betrays both the heavy burden of grief on his heart and the manly spirit which suffers under it , is irresistibly poignant . But as soon as one is attuned to Shakespeare's mind , each word ...
... emotion . This manner of shedding tears , which betrays both the heavy burden of grief on his heart and the manly spirit which suffers under it , is irresistibly poignant . But as soon as one is attuned to Shakespeare's mind , each word ...
Seite 174
... emotion , his power to imagine , suffer , act , runs head on against the other moti- vating element of his nature , his contemplative , question- ing , rational mind . The onrush of emotion is suddenly stopped , with the inevitable drop ...
... emotion , his power to imagine , suffer , act , runs head on against the other moti- vating element of his nature , his contemplative , question- ing , rational mind . The onrush of emotion is suddenly stopped , with the inevitable drop ...
Seite 216
... emotion and excitement . Alan Badel's render- ing of Hamlet was perceived by most critics as incon- clusive , with J. C. Trewin describing it as " one of the least moving I remember . " Other principal cast mem- bers included Harry ...
... emotion and excitement . Alan Badel's render- ing of Hamlet was perceived by most critics as incon- clusive , with J. C. Trewin describing it as " one of the least moving I remember . " Other principal cast mem- bers included Harry ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young