Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
Im Buch
Ergebnisse 1-3 von 79
Seite 84
... father's portrait , worn about his neck , and illustrates the beautiful apostro- phe by reference to it . Thus does ... father , methinks I see my father ; [ I.ii. 184 ] while there is filial pride in his explanation , with hand upon ...
... father's portrait , worn about his neck , and illustrates the beautiful apostro- phe by reference to it . Thus does ... father , methinks I see my father ; [ I.ii. 184 ] while there is filial pride in his explanation , with hand upon ...
Seite 153
... father cautioned her against laying too much stress upon the protestations of Hamlet . In obe- dience to her father she hands him Hamlet's letter . This betrayal of his confidence in her was doubtless the cause of his seeking her in her ...
... father cautioned her against laying too much stress upon the protestations of Hamlet . In obe- dience to her father she hands him Hamlet's letter . This betrayal of his confidence in her was doubtless the cause of his seeking her in her ...
Seite 418
... father ? The eccen- tricities , the long - windedness , etc. , of the man could be en- dearing , as well as showing the excesses of an official style ; the concern for Ophelia's reputation could be as much an expression of parental care ...
... father ? The eccen- tricities , the long - windedness , etc. , of the man could be en- dearing , as well as showing the excesses of an official style ; the concern for Ophelia's reputation could be as much an expression of parental care ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young