Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 202
... film adaptation of Hamlet , recounting how he abridged the text of the play and how he interpreted the Danish prince as " a nearly great man - damned by lack of resolution . " ] When I was making " Henry V " I had thought about a film ...
... film adaptation of Hamlet , recounting how he abridged the text of the play and how he interpreted the Danish prince as " a nearly great man - damned by lack of resolution . " ] When I was making " Henry V " I had thought about a film ...
Seite 203
... film with spacious , empty sets . No piece of furniture appears on the screen unless it plays a necessary part in the film , either when it is first seen , or later on in the story . In this way , each piece , whether table , chair ...
... film with spacious , empty sets . No piece of furniture appears on the screen unless it plays a necessary part in the film , either when it is first seen , or later on in the story . In this way , each piece , whether table , chair ...
Seite 208
... film version of Hamlet . the invention of business , he is equally intelligent and imaginative .. Broad as his range ... film had done before . It was the first English- language film to be retained in the same New York cinema for ...
... film version of Hamlet . the invention of business , he is equally intelligent and imaginative .. Broad as his range ... film had done before . It was the first English- language film to be retained in the same New York cinema for ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young