Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 78
... light of his own intellect , without looking for enlightenment to the actors whose bright genius has thrown lustre on the past . Play Hamlet in light hair ! O horrible ! most horrible ! As well play Julius Cæsar without a Roman nose ...
... light of his own intellect , without looking for enlightenment to the actors whose bright genius has thrown lustre on the past . Play Hamlet in light hair ! O horrible ! most horrible ! As well play Julius Cæsar without a Roman nose ...
Seite 296
... light on it " ; similarly , J. C. Trewin observed that Finney " added for me very little to the mosaic that composes my ideal Hamlet the Dane . " The cast for Hall's staging also featured Denis Quilley , who doubled as Claudius and the ...
... light on it " ; similarly , J. C. Trewin observed that Finney " added for me very little to the mosaic that composes my ideal Hamlet the Dane . " The cast for Hall's staging also featured Denis Quilley , who doubled as Claudius and the ...
Seite 386
... light : -away ! All Lights , lights , lights ! [ Exeunt all but HAM . and HOR . ] Ham . Why , let the strucken deer go weep , The hart ungalled play : For some must watch , while some must sleep ; So runs the world away.- Would not this ...
... light : -away ! All Lights , lights , lights ! [ Exeunt all but HAM . and HOR . ] Ham . Why , let the strucken deer go weep , The hart ungalled play : For some must watch , while some must sleep ; So runs the world away.- Would not this ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young