Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
Im Buch
Ergebnisse 1-3 von 48
Seite 181
... living background . A review of " Hamlet , " in The Times , London , October 14 , 1944 , p . 2 . Philip Hope - Wallace ( review date 21 October 1944 ) [ Hope - Wallace praises the restrained simplicity of both Rylands's production and ...
... living background . A review of " Hamlet , " in The Times , London , October 14 , 1944 , p . 2 . Philip Hope - Wallace ( review date 21 October 1944 ) [ Hope - Wallace praises the restrained simplicity of both Rylands's production and ...
Seite 198
... living individual— quizzical , protean , mercurial , leaping in and out of every mood , alternating even in the same sentence between de- pression and manic amusement , playing a new part every minute with himself for audience . Mr ...
... living individual— quizzical , protean , mercurial , leaping in and out of every mood , alternating even in the same sentence between de- pression and manic amusement , playing a new part every minute with himself for audience . Mr ...
Seite 207
... living actors . His rich , moving voice , his expressive face , make of the tor- tured Dane a figure of deep and sincere tragedy . Argu- ments about his age and his blond hair cannot detract from the personal triumph of his performance ...
... living actors . His rich , moving voice , his expressive face , make of the tor- tured Dane a figure of deep and sincere tragedy . Argu- ments about his age and his blond hair cannot detract from the personal triumph of his performance ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young