Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 54
... manner as at least to confuse the auditor's understanding that Hamlet's thoughts had reverted to and had special refer- ence to the peculiar appearance of the Ghost- -armed at point , exactly cap - à - pié ; [ I.ii.200 ] for example ...
... manner as at least to confuse the auditor's understanding that Hamlet's thoughts had reverted to and had special refer- ence to the peculiar appearance of the Ghost- -armed at point , exactly cap - à - pié ; [ I.ii.200 ] for example ...
Seite 88
... manner of dying . Edmund Kean was no doubt right in illustrating a death by poison ; but if Hamlet dies thus , surely Laertes must meet his doom in like manner . Two such exhibitions would be beyond human endurance , and , as Laertes ...
... manner of dying . Edmund Kean was no doubt right in illustrating a death by poison ; but if Hamlet dies thus , surely Laertes must meet his doom in like manner . Two such exhibitions would be beyond human endurance , and , as Laertes ...
Seite 335
... manner of address to the vision is recorded , by Cibber , in language so lively and terms so ap- posite , that the reader will not be displeased to see them quoted here . ' He opened the scene with a pause of mute amazement ; then ...
... manner of address to the vision is recorded , by Cibber , in language so lively and terms so ap- posite , that the reader will not be displeased to see them quoted here . ' He opened the scene with a pause of mute amazement ; then ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young