Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 16
... never committed murder . Then turning to Mrs Miller , he asked her , ' If she did not imagine the king looked as if he was touched ; though he is , ' said he , ' a good actor , and doth all he can to hide it . Well , I would not have so ...
... never committed murder . Then turning to Mrs Miller , he asked her , ' If she did not imagine the king looked as if he was touched ; though he is , ' said he , ' a good actor , and doth all he can to hide it . Well , I would not have so ...
Seite 63
... never see him without disapproving of many things that he does . But I never see him without confessing his ability . He possesses the true dramatic tal- ent - the power to make you weep and shudder at his will . He himself feels what ...
... never see him without disapproving of many things that he does . But I never see him without confessing his ability . He possesses the true dramatic tal- ent - the power to make you weep and shudder at his will . He himself feels what ...
Seite 222
... never knew whether we were to think Hamlet mad by nature , mad by grief , or mad by turns . We never knew how much Gertrude was aware of her new husband's guilt . Hamlet's revulsion against Ophe- lia might have sprung from his disgust ...
... never knew whether we were to think Hamlet mad by nature , mad by grief , or mad by turns . We never knew how much Gertrude was aware of her new husband's guilt . Hamlet's revulsion against Ophe- lia might have sprung from his disgust ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young