Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 198
... passion's slave , " the slave not of one rul- ing passion , but of every conflicting passion , so that he is not so much one man as a whole troupe of players , hero , villain , lover , wiseacre and clown . ( pp . 82-3 ) Raymond Mortimer ...
... passion's slave , " the slave not of one rul- ing passion , but of every conflicting passion , so that he is not so much one man as a whole troupe of players , hero , villain , lover , wiseacre and clown . ( pp . 82-3 ) Raymond Mortimer ...
Seite 249
... passion of joy in the thought of the character acted , " or , perhaps more exactly , in the power to bring that passion to the surface . Two consequences follow from this . First , Mr. Burton must rely heavily on technical resource to ...
... passion of joy in the thought of the character acted , " or , perhaps more exactly , in the power to bring that passion to the surface . Two consequences follow from this . First , Mr. Burton must rely heavily on technical resource to ...
Seite 381
... passion gives birth , and which are almost endless , that the difficulty of personating Hamlet chiefly consists . If ... passions . For the mind to have any knowledge of the associations , which are given to Hamlet in such infinite ...
... passion gives birth , and which are almost endless , that the difficulty of personating Hamlet chiefly consists . If ... passions . For the mind to have any knowledge of the associations , which are given to Hamlet in such infinite ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young