Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 21Gale Research Company, 1984 - 461 Seiten This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. The volume focus on the history of Shakespeare's play Hamlet on the stage and in important film adaptations. |
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Seite 42
... thing has a life , a place and being of its own . These remarks are , we think , as applicable to Hamlet , as to any of Shakespear's tragedies . It is , if not the finest , per- haps the most inimitable of all his productions . Lear is ...
... thing has a life , a place and being of its own . These remarks are , we think , as applicable to Hamlet , as to any of Shakespear's tragedies . It is , if not the finest , per- haps the most inimitable of all his productions . Lear is ...
Seite 45
... thing as Nature against Art , or tears against cheeks of stone " [ Dramatic Essays by Leigh Hunt , 1894 ] . The triumph of nature over art . Such were the terms in which Kean's ascendancy was repeatedly celebrated . " The shrine thou ...
... thing as Nature against Art , or tears against cheeks of stone " [ Dramatic Essays by Leigh Hunt , 1894 ] . The triumph of nature over art . Such were the terms in which Kean's ascendancy was repeatedly celebrated . " The shrine thou ...
Seite 80
... thing unsettled , vari- able , seldom depended on as the prime means of produc- ing an effect . But when we come to Mr. Fechter's marvellous gesticula- tion , no such thing can be said . Spontaneous and unstud- ied , as it seems , he ...
... thing unsettled , vari- able , seldom depended on as the prime means of produc- ing an effect . But when we come to Mr. Fechter's marvellous gesticula- tion , no such thing can be said . Spontaneous and unstud- ied , as it seems , he ...
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action actor admirable appearance audience Barrymore beautiful Betterton Booth Burton character Claudius closet scene costumes court critic death dramatic Edmund Kean Edwin Booth effect Ellen Terry Elsinore emotion essay date eyes father Fechter feeling film Fortinbras Garrick Gertrude Ghost Gielgud give Gravedigger Henry Henry Irving Horatio interpretation Irving Irving's John John Barrymore John Gielgud Kean Kean's Kemble Kemble's King King's Laertes Laurence Olivier lines London look Lyceum Macready mance melancholy ment mind mother nature never night nunnery scene O'Toole Old Vic Olivier Olivier's Ophelia Osric passion performance Peter Hall play scene play's players Polonius portrayal prince production of Hamlet Queen reading rehearsal review date review of Hamlet role Rosencrantz and Guildenstern Royal Shakespeare Company scene Act seems seen sense Shakespeare soliloquy speak speech spoke stage sword Theatre theatrical thing thought tion tone tragedy voice words young