The EmblemReaktion Books, 04.04.2004 - 400 Seiten The emblem, an image accompanied by a motto and a verse or short prose passage, is both art and literature: in the emblem tradition, the image presents a story – often with pictorial symbols – and the verse below it drives home the picture-story's moral instruction. It is one of the most fascinating, and enduring, art forms in Western culture. John Manning's book charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and then through its various reinventions to the present day. The seventeenth century saw the development of new emblematic forms and sub-genres, and the sharpening of the form for the purpose of social satire. When the Jesuits appropriated the emblem, producing enormous quantities of material, a further dimension of moral seriousness was introduced, alongside a concentration of emblematic "wit". The emblem later came to be directed increasingly at young people and children; in particular, William Blake adopted a fresh attitude towards ideas of the child and childishness. Since then, reprints of 17th-century emblem books have been produced with new plates, and writers and artists from Robert Louis Stevenson to Ian Hamilton Finlay have used emblems in new and subversive ways. |
Inhalt
9 | |
The Beginning | 37 |
Towards an Emblematic Rhetoric | 80 |
Curators and Janitors | 110 |
Children and Childish Gazers | 141 |
Carnal Devotions | 166 |
Fames Double Trumpet | 185 |
Licentious Poets and the Feast of Saturn | 220 |
Last Things | 275 |
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Häufige Begriffe und Wortgruppen
Aeneid Alciato's Emblem allegories allusion Amor ancient Andrea Alciato Antwerp appears artists Arwaker Baroque biblical celebration century Choice cited classical Colonna's culture Cupid death delight depicts designed device divine Drechsel earlier early modern edition Edmund Arwaker Egyptian emblem books Emblemata Emblemata Antwerp emblematic emblematists Emblematum English engraving epigram erudite eternal example eyes fable festive Francesco Colonna Francis Quarles Frankfurt am Main genre George Wither Gillray Giovio Heaven Hell hieroglyphic Hieroglyphica Horapollo Hugo human humanist iconographic illus illustrated imprese Jesuit jokes Latin Library literary London Lyon meaning Michael Maier Mignault Moral Emblems Mors motifs motto omnia Palmer Picinelli plate play poems printed published Quarles reader reference religious Renaissance rhetorical Robert Louis Stevenson Rollenhagen sacred satiric Saturnalia shows soul specifically spiritual Stevenson strategy symbolic things tion title-page tradition translation Vaenius Vaenius's Valeriano verbal verses virtue visual volume Whitney Whitney's Wither woodcut