Romantic RevisionsThis collection of essays responds to the recent radical overhaul in the editing of Romantic texts. Leading American and British editors of William and Dorothy Wordsworth, Coleridge, Byron, Percy and Mary Shelley, Leigh Hunt, Keats and Clare explain and illustrate the implications of their editorial methods for the ongoing process of revision (in texts and their reception) which they have reflected and helped to produce. The volume offers insights into the urgent debate over editorial practices and their theoretical bases, while uncovering the complex revisionary processes of creativity at the heart of Romantic writing. |
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Inhalt
Introduction I | 1 |
the question of text | 43 |
the pedlars guilt in Wordsworths | 64 |
history and imagination in The Prelude | 87 |
the problem of textual passage in The Prelude | 103 |
Reflections on having edited Coleridges poems | 136 |
Creative process and concealment in Coleridges poetry | 154 |
Byron and The truth in masquerade | 191 |
Shelleys manuscripts and the web of circumstance | 227 |
writing Mont Blanc | 243 |
the evolution of Leigh | 268 |
Finding Mary Shelley in her letters | 291 |
Keatss extempore effusions and the question of intentionality | 307 |
Keatss two Hyperions and the problem of Milton | 321 |
Revising Clare | 339 |
| 354 | |
Häufige Begriffe und Wortgruppen
appeared become beginning Byron called changes Clare Coleridge Coleridge's collection complete composition concerned continued copy Cottage critical death described Don Juan Dorothy draft earlier early edition editor effect English essay example fact Fall feel final give hand heart human Hunt Hunt's Hyperion imagination important intention interest interpretation Italy John Journal Keats Keats's kind language later LBSC less letters lines literary living London Lost manuscript March Mary material meaning Milton mind Mont nature never notes opening original Oxford passage Pedlar perhaps poem poet poetic poetry political Prelude present printed publication published question readers references relation remained Review revision Romantic seems sense Shelley Shelley's story suggests textual things thought University voice volume Wordsworth writing written wrote
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Bibliografische Informationen
| Titel | Romantic Revisions |
| Herausgeber | Robert Brinkley, Keith Hanley |
| Ausgabe | illustriert |
| Verlag | Cambridge University Press, 1992 |
| ISBN | 052138074X, 9780521380744 |
| Länge | 368 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |