Myth and the Modern Imagination: Six Lectures

archetypal artist Aschenbach ballet Bergman C. G. Jung c'est castle century characters Christian Cocteau Creon death Death in Venice described Egisthus Electra element Eliot's emotions experience expression F. M. Cornford fate father film Fisher King follows Frankfurt a.M. Franz Kafka Galahad garden German literature Gide Gide's Giraudoux gods Grail story Greek Hermann Broch hero human Ibid Igor Stravinsky images interpretation Isak J'ai Jocasta Joseph Kerényi knights Laius lecture legend literary living London machine infernale maimed king Malory man's meaning moral mother murder myth mythical pattern mythology nature novel Orestes original Perceval play poem poetry present Professor Manton quest resurrection riddle ritual romances Sartre scene sense sequence significance Sophocles Sphinx spiritual Stravinsky supernatural symbol T. S. Eliot Thebes theme theory Thomas Mann tion Tiresias Tod in Venedig tout tradition tragedy twentieth-century Virgin vision Waste Land Wild Strawberries words writers