Essays by Divers Hands |
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Seite 11
... imaginative progress . I have never heard that passage spoken as well as it seems to the eye . It is difficult for the actor ... imagination in the listener , but acceptance , sometimes of well - dressed clichés . The meaning of prose is ...
... imaginative progress . I have never heard that passage spoken as well as it seems to the eye . It is difficult for the actor ... imagination in the listener , but acceptance , sometimes of well - dressed clichés . The meaning of prose is ...
Seite 81
... imaginative note he strikes most plangently [ is ] the sometimes gentle , sometimes ironic , some- times bitter but always passive apprehension of suffering ' , and he praises Hardy for his ' continual imaginative celebration of what is ...
... imaginative note he strikes most plangently [ is ] the sometimes gentle , sometimes ironic , some- times bitter but always passive apprehension of suffering ' , and he praises Hardy for his ' continual imaginative celebration of what is ...
Seite 93
... noble warning about what may be the true limits of the sympathetic imagination . The difference between this mediated pain , in Johnson and in Milton , and the immediacy of pain may be clear SOUND AND SENSE IN PARADISE LOST 93.
... noble warning about what may be the true limits of the sympathetic imagination . The difference between this mediated pain , in Johnson and in Milton , and the immediacy of pain may be clear SOUND AND SENSE IN PARADISE LOST 93.
Inhalt
INTRODUCTION | 9 |
The Wedmore Memorial Lecture 1975 | 24 |
Don Carlos Coloma Memorial Lecture 1974 | 47 |
Urheberrecht | |
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